Mormon Film
Fifth Wave (2000-present): Mormon Cinema
First Wave | Second Wave | Third Wave | Fourth Wave | Fifth Wave

 

Independent Mormon productions released on 35 mm film in commercial theaters to a paying public establishes a niche Mormon market. Video and DVD distribution of institutional and independent Mormon film expands. Internet and digital film suggest new formats and modes of distribution. Student film prospers, and an LDS Film Festival now coincides with Sundance Film Festival annually.

—Randy Astle (adapted from "Mormons and Movies: A History," BYU Studies, 2007)

 
Key Films of the Fifth Wave
Click on individual films for full details and history. This is a small sampling of the many films from this period, all of which can be searched from here. These films are chosen due to their quality, popularity, or influence. Some are listed because they represent innovations, major trends, or emerging genres.
USA; 2000;
Richard Dutcher
Inaugurates Mormon Cinema in the Fifth Wave by being a financially profitable theatrical release of an independent Mormon-produced and Mormon-themed film. This film inspires Richard Dutcher's next films and establishes the niche market for Mormon commercial features.
USA; 2001;
Richard Dutcher
Sophomore Mormon-themed theatrical feature by Richard Dutcher acclaimed for its powerful self-examination of Mormon culture within a murder mystery.
USA; 2001;
Mitch Davis
Most costly independent Mormon film to date ($7 million), this adaptation of Church leader John Grobert's missionary memoir was marketed heavily nationally and distributed on video by Disney. Played down many Mormon elements to attempt mainstream crossover. Starred Christopher Gorham and Anne Hathaway.
USA; 2002;
Kurt Hale
This, the first major theatrical Mormon comedy, launched the career of Kurt Hale and Halestorm Entertainment, the most important production company of the eary Fifth Wave.
USA; 2002;
Adam Anderegg
This is an adaptation of the immensely popular LDS novel from 1980, the second post-God's Army film adaptation from literature, and the first from a fictional source. It is also director Adam Anderegg's feature debut.
USA; 2003;
Scott Anderson
Adapted from the stage play by Scott Anderson (1983) and based on his missionary experiences in Holland, where it was shot, this missionary comedy/drama helped establish HaleStone (the distribution arm of Halestorm Entertainment) and was well received critically.
USA; 2003;
Mike Nichols
Tony Kushner's famous and controversial AIDS-themed play adapted for HBO and starring Mary-Louise Parker and Meryl Streep. Perhaps the most seen contemporary film with central Mormon characters. Received five Golden Globes and eleven Emmys, but disappointed many for earneing its acclaim partly through misrepresentations and exploitation of Mormonism.

USA; 2004;
Ryan Little

Ryan Little’s second Fifth Wave film is about Allied soldiers—one LDS—trapped behind German lines in the Battle of the Bulge. The religious identity of the soldier is not made obvious.
USA; 2004;
Russ Holt
The first of three theatrically released films adapting the immensely popular Mormon historical fiction of Church leader Gerald N. Lund. Directed by former Church film producer Russ Holt in much the same style as institutional church films.
Napoleon Dynamite
USA; 2004;
Jared Hess
Odd-ball comedy about high school misfits that unexpectedly became a national cult classic and launched the career of Mormon director Jared Hess and actor Jon Heder. Based on a student film, Peluca, created at BYU.
Big Love
USA; 2005 Polygamy-themed HBO series starring Bill Paxton and Jeanne Tripplehorn. Plays into old Mormon stereotypes but complicates these by placing the suburbanite polygamous family headed by Paxton's character between fundamentalist polygamists and mainstream Latter-day Saints (who serve both as background and contrast to the principal polygamist families).
New York Doll
USA; 2005;
Greg Whiteley
Most significant independent documentary film of the Fifth Wave (to date). Biopic of faded glam rock star and Mormon convert Arthur "Killer" Kane appeals on many levels to diverse audiences within and outside Mormonism.
States of Grace / God’s Army 2
USA; 2005;
Richard Dutcher
Richard Dutcher's third and most significant contribution to the Fifth Wave. This film epitomized Dutcher's dream for a spiritual, Christ-centered cinema emanating from Latter-day Saints. Though it received great critical acclaim for its aesthetic and thematic elements, it did not achieve popularity. Subsequently, Dutcher has expressed his bitterness about Mormon audiences and his disappointment that the movement he started has been ruined by others.
Joseph Smith Prophet of the Restoration USA; 2005;
Gary Cook, T.C.Christensen
Most recent Church biopic of Joseph Smith, tailored for the large Legacy theater at Temple Square in Salt Lake City.

Feedback: GideonBurton@byu.edu