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75 Significant Mormon
Poets
Although thousands
of poems and hundreds of Mormon poets are included in the Mormon Literature
Database (see the poetry
genre profile), the following
poets continue to draw the attention of literary critics. Some
of these poets are significant as authors of early and well known Mormon
poems and hymns (such as Eliza R. Snow's "O, My Father" and
W. W. Phelps' "The Spirit of God"); others are important for
the quality of their poetry by modern standards, or for having broken
new ground with poetic form (Orson Whitney, the epic), themes (Clinton
Larson, violence and lyricism), or audiences (Carol Lynn Pearson to the
popular Mormon market; May Swenson and Lance Larsen to national audiences).
This list is divided between early Mormon poets of note (from the 1830s
to the mid-twentieth century) and contemporary Mormon poets of note (from
about the 1950s to the present). —Sarah Jenkins and Gideon Burton
| Early
Mormon Poets of Note |
Representative
Poem or Collection |
| Sarah
Carmichael |
"April
Flowers" |
| William
Clayton |
"Come,
Come, Ye Saints" [text] |
| Ina
Coolbrith |
A
Perfect Day (1881), "Millennium"
[text] |
| Augusta
Joyce Crocheron |
Wild
Flowers of Deseret (1881), "Thoughts
Within" [text]
|
| Lu
Dalton |
"Woman's
Sphere" |
| Ruth
May Fox |
May
Blossoms (1923)
"Carry On [Firm as the Mountains
Around Us]" |
| Susa
Young Gates |
"Hymn
of the Mothers of Men" |
| John
Jaques |
"O
Say, What is Truth?" [text] |
| Joel
H. Johnson |
"High
on the Mountain Top" [text] |
| John
Lyon |
The
Harp of Zion (1853) |
| Charles
W. Penrose |
"O
Ye Mountains High" |
| W.
W. Phelps |
"Praise
to the Man"; "The
Spirit of God" |
| Parley
P. Pratt |
"The
Morning Breaks; the Shadows Flee" [text] |
| Lula
Greene Richards |
Branches
That Run Over the Wall:
A Book of Mormon Poem and Other Writings (1904) |
| Richard
Smyth |
"Israel,
Israel, God Is Calling" [text] |
| Eliza
R. Snow |
Poems,
Religious, Historical and Political (1856/1877)
"Invocation, or the Eternal
Father and Mother [O, My Father]" [text] |
| Josephine
Spencer |
"The
Long Steel Road" [text] |
| Joseph
Townsend |
"Hope
of Israel" [text];
"To Nephi, Seer of Olden Time"
[text] |
| Emmeline
B. Wells |
Musings
and Memories: Poems (1896)
"Our Mountain Home So Dear"
|
| Cyrus
H. Wheelock |
"Ye
Elders of Israel" [text] |
| Orson
F. Whitney |
Elias:
An Epic of the Ages (1904) [excerpt] |
| Contemporary
Mormon Poets of Note |
Representative
Poem or Collection |
| Shayne
Bell |
“Romeo
to Juliet, in Utah” |
| Lisa
Orme Bickmore |
Haste
(1994) |
| Mary
Bradford Lythgoe |
“Coming
Apart Together” |
| Marilyn
McMeen Miller Brown |
The
Grandmother Tree (1978) |
| Marilyn
Bushman-Carlton |
Cheat
Grass (1999) |
| Orson
Scott Card |
"Prentice
Alvin and the No-Good Plow" |
| R.
A. Christmas |
“Self
Portrait as Brigham Young” |
| Dennis
Marden Clark |
Tinder:
Dry Poems (1988) |
| Marden
J. Clark |
Moods,
Of Late (1979) |
| Christie
Lund Coles |
Some
Spring Returning (1958) |
| Michael
R. Collings |
“The
Missionary’s Return” |
| Iris
P. Corry |
Bread
and Milk for Supper (1987), “Nellie
Unthank” |
| R.
Paul Cracroft |
A
Certain Testimony (1979) |
| Danielle
Beazer Dubrasky |
Persephone
Awakened (2003) |
| Kathy
Evans |
Imagination
Comes to Breakfast (1992) |
| Max
Golightly |
A
Morning of Taurus (1970) |
| Laura
Hamblin |
“In
Celebration of a Daughter” |
| John
B. Harris |
“Strong
God, Mild” |
| John
Sterling Harris |
Second
Crop: Poems (1996); Barbed
Wire (1974) |
| Edward
L. Hart |
To
Utah (1979), “Our
Savior’s Love” |
| Lisa
Bolin Hawkins |
“Before
Adam Ate” |
| Lael
W. Hill |
A
Legacy of Years (1966); “The
Pagans” |
| Lewis
Horne |
The
Seventh Day (1982) |
| Susan
Elizabeth Howe |
Stone
Spirits (1996) |
| Donnell
Hunter |
“Sabbatical” |
| Kimberly
Johnson |
Leviathan
with a Hook (2002) |
| Bruce
W. Jorgensen |
“The
Light Come Down” [text] |
| Virginia
Maughan Kammeyer |
Saints
Alive! (1970) |
| Patricia
Gunter Karamesines |
“Open
Range, Wyoming” |
| Karl
Keller |
“The
Comforter,” “My
Childern on the Beach at Del Mar” |
| Arthur
Henry King |
Conversion:
Poems of the Religious Life (2001);
“Hebrews 11: Strangers and
Pilgrims” |
| Lance
Larsen |
Erasable
Walls (1998) |
| Clinton
F. Larson |
The
Lord of Experience (1967) |
| Timothy
Liu |
A
Zipper of Haze (1988) |
| Casualene
Meyer |
“Honeymoon
at Arches” |
| Karen
Marguerite Moloney |
“Snowfall
at Glenflesk” |
| Margaret
Rampton Munk |
So
Far: Poems (1986) |
| Veneta
Nielsen |
Familiar
as a Sparrow (1978) |
| Carol
Clark Ottesen |
Line
Upon Line (1975) |
| Dixie
Lee Partridge |
Deer
in the Haystacks (1984) |
| Carol
Lynn Pearson |
Beginnings
(1965) |
| Robert
A. Rees |
“Salamander,”
“Gilead” |
| Karl
Sandberg |
“The
Last Speaker will give the Interpretation of Tongues” |
| Loretta
Randall Sharp |
“At
Utah Lake” |
| Linda
Sillitoe |
Crazy
for Living (1993) |
| Helen
Candland Stark |
“Marriage
Portion” |
| May
Swenson |
May
Out West: Poems of May Swenson (1996); “My
Name Was Called” |
| John
Talbot |
The Well-Tempered
Tantrum (2004) |
| Sally
T. Taylor |
“Embryo” |
| Emma
Lou Thayne |
Things
Happen: Poems of Survival (1991)
“To a Daughter about to Become
a Missionary” |
| Jim
Walker |
“Whispering” |
| Holly
Ann Welker |
“The
Swimmer” |
| Philip
White |
“Island
Spring,” “The Perseids” |
| David
Wright |
“The
Conscience of the Village” |
| S.
Dilworth Young |
“The
Brothers: June 24, 1844” |
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